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Kristi McKim offers close-analyses of films in which attachment and detachment, intimacy and distance, ephemera and endurance become more visible and meaningful. Films discussed include Wim Wenders' Wings of Desire, Agn's Varda's Jacquot de Nantes, Doris D rrie's Cherry Blossoms and Olivier Assayas' Summer Hours.
About the Author
KRISTI MCKIM is Assistant Professor of English and Chair of the Film Studies program at Hendrix College, USA. She has published in leading international journals including Camera Obscura, Studies in French Cinema, Film-Philosophy, Film Quarterly and Film International.