True Faith, True Light: The Devotional Art of Ed Stilley (The Arkansas Character) (Hardcover)

Description

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In 1979, Ed Stilley was leading a simple life as a farmer and singer of religious hymns in Hogscald Hollow, a tiny Ozark community south of Eureka Springs, Arkansas. Life was filled with hard work and making do for Ed, his wife Eliza, and their five children, who lived in many ways as if the second half of the twentieth century had never happened.

But one day Ed’s life was permanently altered. While plowing his field, he became convinced he was having a heart attack. Ed stopped his work and lay down on the ground. Staring at the sky, he saw himself as a large tortoise struggling to swim across a river. On his back were five small tortoises—his children—clinging to him for survival. And then, as he lay there in the freshly plowed dirt, Ed received a vision from God, telling him that he would be restored to health if he would agree to do one thing: make musical instruments and give them to children.

And so he did. Beginning with a few simple hand tools, Ed worked tirelessly for twenty-five years to create over two hundred instruments, each a crazy quilt of heavy, rough-sawn wood scraps joined with found objects. A rusty door hinge, a steak bone, a stack of dimes, springs, saw blades, pot lids, metal pipes, glass bottles, aerosol cans—Ed used anything he could to build a working guitar, fiddle, or dulcimer. On each instrument Ed inscribed “True Faith, True Light, Have Faith in God.”

True Faith, True Light: The Devotional Art of Ed Stilley documents Ed Stilley’s life and work, giving us a glimpse into a singular life of austere devotion.

About the Author

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Kelly Mulhollan is a longtime musician and founding member of the award-winning band Still on the Hill. He is also a journeyman-level carpenter, and Ed Stilley’s friend of many years.

Kirk Lanier is a lifelong musician and photographer who lives in Fayetteville, Arkansas.

Robert Cochran is professor and chair of American Studies at the University of Arkansas and director of the Center for Arkansas and Regional Studies.

Praise For…

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“True Faith, True Light should be in the collection of any instrument fan or builder. Mulhollan’s portrait of a man driven by faith and the gorgeous photos by Kirk Lanier make this a winner. The book is as much an art piece as Stilley’s guitars.

In an era of perfection dictated by Autotune and CNC machines, the world needs Ed Stilley. This book is essential.”

—Guitar World

“True Faith, True Light is a stunning book, both witness and testament to a singular body of work. The author leverages his personal friendship with Stilley to showcase historic photos of the Stilly family, joined with extensive gallery-quality photographs of his instruments by Kirk Lanier. Robert Cochran’s sweeping introduction sets the frame for Stilley’s place in the pantheon of great Southern folk artists. The book’s final achievement is the inclusion of fascinating X-ray photos of Stilley’s instruments by Dr. Dennis Warren, revealing the native, intuitive genius Stilley applied to his interior reverb structures of springs and saw blades. Ed Stilley’s life and work turn our own notions of craft upside down and inside out, both in his lutherie and as an authentic expression of folk or outside art. We who struggle in our personal transformations and pursuits of fit and finish are reminded here that the truly authentic can rise above technique. Ed Stilley’s work is finally and ultimately authentic, but more importantly, it was unquestionably devotional, and Kelly Mulhollan’s beautiful book amplifies that devotion, creating a lasting record that belongs on a luthier’s bookshelf.”

—American Lutherie, Fall 2016

“Kelly Mulholland’s study of the art of Ed Stilley, a musical instrument maker from the northwest Arkansas Ozarks, is an important contribution to the body of knowledge treating vernacular expressive culture not only in the United States but more generally. Historians as well as ethnographers will benefit from the clear, thorough presentation of the techniques used by Stilley in the creation of guitars, fiddles, mandolins, and banjos he produced in his workshop at Hogscald Holler near Eureka Springs, Arkansas. … In addition to its documentary value, True Faith, True Light affords an esthetic pleasure of its own. Its general design and the use of photographs, whose value as records of Stilley’s work is enhanced by their own beauty, make this an appealing volume. Moreover, although Stilley’s work has been exhibited in museums, one need not have seen those exhibits to appreciate what he has accomplished. This book serves its purpose of presenting thoroughly the work of an important artist whose work has historical, ethnographic, and esthetic value. I recommend it to the attention of readers interested in vernacular expressive culture, the power of religious faith to generate artistic expression, and creativity in general.”

—William M. Clements, Arkansas Review, April 2017